I’ve mentioned in recent posts that I’m working on a new wind ensemble piece for Mark Scatterday and the Eastman Wind Ensemble. Distant Moons will be a work inspired by the photography of Ansel Adams. As I have been sketching out the piece, I wanted to learn more about Adams, his life, and his work. I have been an admirer of his photography for some time, although I have never known all that much about him. (One fascinating tidbit – Adams was actually a very gifted pianist and for much of his adolescence planned to become a professional musician)
So, a few weeks ago I decided I would read a biography of the great American artist. I walked down the street to my town library, but unfortunately the only two “Ansel Adams” records they had on the shelves were a book of his color photographs and a DVD about his life. So, I asked if I could request a biography from another library. Indeed, a few nearby libraries had biographies, and through a inter-library loan agreement, they “ordered” the Mary Street Alinder biography of Ansel Adams. It arrived a couple of weeks ago and I have been reading a chunk of pages each night before bed.
Last night, I was reading steadily through page 153 and suddenly came upon a sentence that stopped me dead in my tracks. I literally read it about 10 times, finding it profound and refreshing. The sentence was “Ansel, in contrast, felt that art must be created free from any intention other than the creation of beauty.”
The “in contrast” refers to the work of László Moholy-Nagy, a European contemporary of Adams who was a leader in the avant-garde movement. Moholy-Nagy believed that “art should be used for social change.” Adams disagreed, professing that the creation of beauty should be the only artistic intention – the sole reason for creating a work of art.
As a composer, I have always felt like I am on a quest to find beauty, and reading this quote over and over solidifies that idea in my mind. Surely what I am searching for most when writing music is beauty – bringing beauty to life and sharing it with others. Many intentions get in the way – what we “want” the piece to do, how we want it to unfold, how we want others to react to it. There are undoubtedly many intentions and considerations floating around in our heads as we attempt to create a work of art. What I think I love so much about Adams’ idea is that it reassures my desire to wipe all that excess intention and clutter away and simply create beauty.
Thanks Ansel.

Oh how I needed to read this Steve. I get so caught up in the quest to do something meaningful that I lose sight of just creating. While I think that art can be a vehicle for social change, know it even, I don’t think that should be the intention while creating. My best work comes from a pure and uncluttered place. Thanks for the reminder!
BTW I came here partly to congratulate you on your engagement, and let you know we will be in Westminster from the 28th to the 31st of this month. If Ashley and you have time fro coffee or something we’d love to see you.
Gwyn – Thanks! I’m glad it was a meaningful idea for you as well! We would of course love to see you guys when you are here. As far as I know we are around those days. I will email you my phone number…
Best,
Steve
PS I look forward to seeing how this Distant Moons project turns out!
[...] I suppose it is an uncertainly I am learning to cope with, but it makes me wonder if someday I will reach the end of a piece and be completely satisfied? That may seem like a pretty anticlimactic way to introduce this new piece, but I am in fact quite happy with the overall work. I have written a few blogs about Distant Moons already, so if you are interested in the back story of the piece, read more here. [...]
[...] for this world premiere! – Image Credit: Eastman School of Music, Flickr, Ansel Adams via Humming Along Share this:TwitterFacebookLike this:LikeBe the first to like this [...]